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        <title>Sound in Artistic Research | 10 Nov 2021 | Salomé Voegelin</title>
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        <description>Salomé Voegelin Sonic Possible and Impossible Bodies Stand in front of a mirror and repeat “why am I, I?” one hundred times. 10 Nov 2021 This talk considers the notion of sonic possible worlds in relation to the body. It discusses the body as material and fleshly body, as human and more than human form, whose sonic possibilities ruptures norms and expectations through invisible permutations, silences and screams. Thus, Salomé Voegelin sounds and articulates a body in trans-formation, ephemeral and porous; questioning of individuation and the boundary of the skin in the hope to hear the unrecognizable body, at the margins of the representational frame and at the brink of viability, to engage in how its sonic possibility challenges who we count as real, and how we hear their actuality: the norms and naturalizations that give us the recognizable body and its name. Making connections between the work of, among others Hannah Silva, Jocy de Oliveira, Shilpa Gupta and Pamela Z, and the writings of Margrit Shildrick, Donna Haraway, Elizabeth Grosz and Rosi Braidotti, et al., we hear the promises of monsters, the dreams of cyborgs, the ambiguity of freaks, and reach the posthuman, and come to speculate on a vampiric invisibility that is the body’s material-self in its sonic shape, and in its being as being with every other thing, human and more than human in concatenation. Not only did bodies indicate a world beyond themselves, but this movement beyond their own boundaries, a movement of boundary itself, appeared to be quite central to what bodies ‘are’.” (Judith Butler, Bodies That Matter, On the Discursive Limits of Sex, New York and London: Routledge, 1993, p. ix.) Moderator: Jan Thoben Sound in Artistic Research Online Lectures In the winter semester 2021/22, Sound Studies and Sonic Arts presented a lecture series exploring sound in artistic research. The genome of the master program implies an understanding that theory and practice mutually inform each other and represent two sides of the same coin. We’d like to invite you to join this lecture series and explore the different perspectives on the topic of artistic research as an encouragement to reflect on your own positioning. Artistic research, aesthetic research, and practice-based research have gained a lot of momentum at art schools and universities in the past few decades. Focusing on alternatives to established methodologies and paradigms based on evidence, historical and political analysis, musicology, critical thinking, and cultural studies, this lecture series addresses how artistic research has been established in sound studies and in the sonic arts.</description>
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